Shows:

Saturday, July 15th @ 7:30pm - Kasser Theater (Montclair State University)

Wednesday, July 19th @ 7:30pm - Rose Theater at Lincoln Center Jazz

Principal harp, Chelsea Lane

For more information and tickets, visit https://www.teatronuovo.org.

Join Chelsea Lane, harpist for the release concert and celebration of her debut album Suspensions. Released through Better Company Records, the album draws on contemporary, minimalist-inspired works to explore the theme of “suspensions,” both literal and figurative. Pairing newly commissioned works (by Ellis Ludwig-Leone and Molly Joyce) with Lane’s new transcriptions of existing works by contemporary composers (Thomas Adès, Nico Muhly, and Chris Cerrone), and a few staples of the solo harp repertory (by John Cage and Kate Moore), Suspensions is a delicately balanced, thoughtful debut. While primarily a solo harp album, Lane is joined on piano by Ludwig-Leone (of San Fermin) for his work “Processional,” as well as Nathan Schram (of the Grammy-winning Attacca Quartet) on viola for Ludwig-Leone’s eponymous “Suspensions."

Brooklyn-based harpist Chelsea Lane endeavors to bridge the ever-widening division between classical and popular music through her innovative programming of contemporary compositions. Chelsea is passionate about collaborating with other musicians, visual artists, and dancers to help achieve this goal.

Doors 6:30PM | Show 7:30PM

Tickets on Eventbrite

Join the Accord Treble Choir for a holiday concert featuring Britten’s “Ceremony of Carols.”

Teatro Nuovo presents Rossini’s Maometto II! Teatro Nuovo is an opera company specializing in Italian Bel Canto, with a conductorless period-instrument orchestra and a mission to bring historically-informed performance into a new and exciting repertory. Further information about the company can be found here.

Chamber Music in the Chapel is pleased to present an afternoon of strings, harp, and piano… Repertoire will include both classics as Romance by Amy Beach, Salerni string quartet arrangements of Bach Fugue BWV 852 and of Brahms Op. 177, as well as exciting, original compositions by Domenic Salerni for string quartet and a Harp Sextet. —Central Moravian Church Website

“Come join us as we 90+ musicians present the works of 75 composers newly commissioned to create flexible, open-score pieces for outdoor performances.” -https://metropolisensemble.org/biophony-project

Chelsea Lane, harp; Carolyn Edwards, violin

Program:

Louis Spohr (1784-1859) - Violin Sonata No.1 in c minor, WoO 23 (1805)

I. Adagio - Allegro vivace

II. Andante - Allegro

Camille Saint-Saëns (1835-1921) - Fantaisie for Violin and Harp, Op.124 (1907)

Sebastian Currier (b. 1959) - Night Time Suite (1998)

I. Dusk

II. Sleepless

III. Vespers

IV. Nightwind

V. Starlight

Tickets here

No Strings Attached

Kodály: Dances of Galánta
Bartók: Viola Concerto 
Stravinsky: Petrushka (1911 version)

Jukka-Pekka Saraste, conductor

Pittsburgh Symphony Orchestra

Bushfire Benefit

Submerged by Miguel del Aguila, performed by Trio Ammil (Rosie Gallagher, flute; Maren Rothfritz, viola; Chelsea Lane, harp)

and more…

Trio (flute, viola, harp) recital

Debussy Sonata for Flute, Viola, and Harp; Bax Elegiac Trio; Ravel (arr. Morlock) Le Tombeau de Couperin; David Wechsler Three Movements; & David Stock A Vanished World

David Wechsler, flute; Amadi Azikiwe, viola; Chelsea Lane, harp.

Trio (flute, viola, harp) recital

Debussy Sonata for Flute, Viola, and Harp; Bax Elegiac Trio; Ravel (arr. Morlock) Le Tombeau de Couperin; David Wechsler Three Movements; & David Stock A Vanished World

David Wechsler, flute; Amadi Azikiwe, viola; Chelsea Lane, harp.

Petr Altrichter, conductor

Marek Eben, moderator

Marek Eben will be the listener’s guide to the musical galaxies. What does a composer put into music, and what do the players and the conductors add? Is the score sacred, or can compositions be adapted somehow? And how does one get an orchestra to play the music just as the conductor imagines it? We invite you to the brand new, fun, and informative programme by Alice Nellis for everyone who wants to know more about music!

César Franck: The Symphony in D minor, Mov. II  

Antonín Dvořák: Legends, Op.59, Mov. VI

George Enescu: The Romanian Rhapsody, No. I 

Lunchtime chamber music series featuring The Graduate Center, CUNY’s DMA candidates.

Louis Vierne’s Les quatre poèmes grecs, op. 60

Chelsea Lane, harp; Jennifer Roderer, voice

Opus One’s talented faculty members present an eclectic program featuring classical music, jazz, improvisations and much more! The evening will sample music from various countries and showcase the international quality of our faculty team.

Performers:
Audrey Abela, piano
Andrea Casarrubios, piano and cello
Giordana Fiori, piano
Arianna Körting, piano
Richard Sears, piano
Josefina Urraca, piano

Guest artists:
Chelsea Lane, harp
Jungwon Na, soprano

Program includes music by Federico Mompou, Isaac Albéniz, Joaquin Rodrigo, Giacomo Puccini, Johannes Brahms, Claude Debussy, Gabriel Fauré, Andrea Casarrubios, Thelonious Monk, Gonzalo Rubalcaba, and George Gershwin.

2nd Year Recital in partial fulfillment of The Graduate Center, CUNY’s DMA in Music Performance degree.

Chelsea Lane, harp with Audrey Abela, piano

Program:

Nino Rota (1911-1979): Sarabanda e Toccata (1945)

Jacques de la Presle (1888-1969): Le Jardin Mouillé (1912)

Henriette Renié (1875-1956): Ballade Fantastique (1912)

—Pause—

Joaquín Rodrigo (1901-1991): Concierto de Aranjuez (1934, trans. 1974)

II. Adagio

Félix Godefroid (1818-1897): La Danse des Sylphes (1880)

A shared Groupmuse solo harp recital with Violetta Norrie.

Program:

Félix Godefroid (1818-1897): La Danse des Sylphes (1880) 
Gabriel Fauré (1845-1924): Une Châtelaine en sa Tour (1918) 
Jean-Baptiste Loeillet (1680 – 1730): Toccata
Nino Rota (1911-1979): Sarabanda e Toccata (1945) 
Free improvisation
Uno Alexander Vesje (1989-): Life is flashing before my eyes and I realize that it all started with a blackbird (2018) 
Henriette Renié (1875-1956): Ballade Fantastique (1912)

Solo harp recital:

Jacques de la Presle (1888-1969): Le Jardin Mouillé (1912)

J.S. Bach (1685-1750): Prelude and Fugue in C-sharp minor from The Well-Tempered Clavier, Book I (Trans. Chelsea Lane) (1722)

Louis Spohr (1784-1859): Variations sur l’air “Je suis encore dans mon printemps”, Op. 36 (1807)

Nino Rota (1911-1979): Sarabanda e Toccata (1945)

Gabriel Fauré (1845-1924): Une Châtelaine en sa Tour (1918)

Félix Godefroid (1818-1897): La Danse des Sylphes (1880)

Lunchtime chamber music series featuring The Graduate Center, CUNY’s DMA candidates.

Toru Takemitsu’s And Then I Knew ‘Twas Wind.

Chelsea Lane, harp; Maren Rothfritz, viola; Jacqueline Martelle, flute

Violinist Paul Huang joins the orchestra to perform Aram Khachaturian’s thrilling Violin Concerto. After intermission, the orchestra performs American jazz legend Duke Ellington’s rarely heard suite from The River.

General admission $15
Students/seniors $10
Children under 18 FREE

PROGRAM

Bohuslav Martinů
Symphony No. 2 H295

Jean Sibelius
Violin Concerto in D Minor, Op. 47

Leonard Bernstein
Symphony No. 2 (“The Age of Anxiety”)

PERFORMERS

Janine Jansen
violin

Martin Kasík
piano

Jakub Hrůša
conductor

Czech Philharmonic

PROGRAM

Bohuslav Martinů: Symphony No. 4 H 305
Béla Bartók: Bluebeard's Castle

PERFORMERS

Czech Philharmonic
Matthias Goerne - baritone
David Robertson - conductor
Petra Lang - mezzo-soprano

Program:

Aaron Copland: EI Salón México

Samuel Barber: Essay No. 2 Op. 17

Leonard Bernstein: On the Waterfront, symphonic suite

Leonard Bernstein: „Bernstein on Broadway“

First Year D.M.A. Solo Harp Recital at CUNY's Graduate Center to include works by J.S. Bach, Louis Spohr, Toshio Hosokawa, Jacques de la Presle, Franz Liszt, Gabriel Fauré, Ernst Krenek, Henriette Renié.

"Plus bleu que l'indigo" by Jean-Patrick Besingrand for Sho, harp, flute, and cello

Chatori Shimizu, Sho; Chelsea Lane, harp; Martha Cargo, flute; Nan-Cheng Chen, cello

Program to include Hovhaness's "The Spirit of Trees" for Guitar and Harp (Federico Díaz, guitar and Chelsea Lane, harp) as well as diverse works performed by additional D.M.A. candidates from CUNY's Graduate Center.

Music of Changes returns for a second summer to present an evening of music by Spanish and Latin American composers.